Those were the days way before agents and stars being their own producers. Fred MacMurray and Sylvia Sidney were also with Paramount at the time and Henry Fonda was at that time under contract to producer Walter Wanger who filmed this story. Bing was Paramount's number one box office attraction and the Paramount executives no doubt prevailed on him to record the song and sing it on his brand new Kraft Music Hall Radio Show in the interest of publicizing The Trail of the Lonesome Pine. This is a perfect example of the connection of film, and radio, and the recording industry.
The former however got a recording by Bing Crosby. The latter got an Academy Award nomination for Best Song, losing to The Way You Look Tonight. Fuzzy Knight plays another rustic character, kind of a Tolliver satellite and he sings a couple of songs written for the film by Louis Alter and Sidney Mitchell, Twilight on the Trail and A Melody from the Sky. Color which is now standard was a big gimmick back in the day and Paramount raked in good box office. The Trail of the Lonesome Pine has its place in film history as the first outdoor as opposed to studio film shot in three strip technicolor. Of course when her little brother is killed the whole ugly business starts up again and it leaves tragedy again in both families. He interests Sylvia who starts to see that there is a whole world away from her family and their feud. Into the picture comes railroad man Fred MacMurray who wants to build a railroad through the properties of both families. Sylvia Sidney and Henry Fonda are two Tolliver cousins, kissing cousins as they say in the mountains, distant enough to contemplate marriage. But whole people's and whole nations act this way, who are we to judge the Tollivers and Falins of this story. There's a great temptation to treat this all humorously and it certainly has been done, I can recall Abbott and Costello's Comin' Round the Mountain with the same plot premise. It's the story of a couple of Appalachian Mountain families who've had a decades old feud in which no one can quite recall how it all got started, but they sure do remember the latest outrage by the other crowd. There were three silent films made from this novel by John Fox, Jr., including one done in 1916 by Cecil B. This sound version of The Trail of the Lonesome Pine is actually the fourth and to date last version of this story. So don't pass it up because of a relative obscurity.
The trail of the lonesome pine 1936 ok ru movie#
All in all, the movie is surprisingly good, with a strong story, commanding visuals, and a thoughtful subtext. As I see it, Fuzzy and his dog are mourning not only friends but the passing of a simpler way of life. As a kid, I recall bawling at it, and even now as a geezer, it brought a tear to the eye. The movie has some uncommonly poignant moments, especially that final sequence, which conveys an extraordinary emotional power. Of course, not everyone's supportive of change, particularly dad Tolliver (Stone). The railroad company pays big money for land use, and that along with a railway to service the expected coal deposits, is bringing the backwoods into the modern age, as June's evolution shows. I like the way the movie works the culture clash between tradition and modernity into the plot. And, of course, mustn't forget everyone's favorite hard-scrabble mom, Beulah Bondi, as the long-suffering ma Tolliver. In fact, there're a couple other unexpected cast members, as well: Little Rascal Spanky McFarland and comedic Fuzzy Knight. Needless to say, that took some adjustment for this old Sherlock fan. Watson, Nigel Bruce, in a non-comedic role. Then there's Sherlock Holmes' favorite Dr. The acting too is first-rate-a soulful Sydney, an ornery Fonda, and an underrated MacMurray. Also, you'd never guess these were filmed just 35-miles east of LA in the San Bernardino mountains. Visually the film is quite striking, with a lot of beautiful outdoor compositions. Apparently this was the first outdoor Technicolor feature (IMDB), but you'd never know it. If the movie's flawed, it's with the use of of popular backwoods stereotypes. And who knows how the enmity started, except now it's part of both families' tradition. They'd rather shoot each other if they get the chance. At the same time, railroad developers are crossing land owned by each family, and neither the Tollivers nor the Falins wants to accommodate their hereditary enemy. Tradition favors Dave, but her heart favors Hale. Instead June (Sidney) has to decide between her cousin Dave (Fonda) and outsider Hale (MacMurray).
I was expecting a Romeo-Juliet situation with the families, but that's surprisingly not the case. The movie's an affecting tale of feuding backwoods families, who must also make adjustments to encroaching modern world.
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